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Simone Young
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Simone Young AM - Conductor 

Australian-born Simone Young is internationally recognised as one of the leading conductors of her generation. In August 2005 she took up the post of General Manager and Music Director of the Hamburgische Staatsoper and Music Director of the Philharmonic State Orchestra Hamburg and has already celebrated many outstanding successes including the commencement of the Hamburg Ring cycle, Simon Boccanegra, Tristan und Isolde, Mathis der Maler, Salome and Daphne.  This contract has been extended until 2015.

She was Music Director of Opera Australia from 2001 to 2003, Chief Conductor of the Bergen Philharmonic Orchestra from 1999 to 2002 and among others has conducted the Berlin, Vienna, Munich, London and New York Philharmonic orchestras and the Staatskapelle Dresden.

She is an acknowledged interpreter of the operas of Wagner and Strauss including Der Ring des Nibelungen, which she has conducted most recently to great acclaim at the Staatsoper in Berlin, and the Vienna Staatsoper. Other companies she has worked with include Bayerische Staatsoper in Munich, Metropolitan Opera in New York, the Bastille in Paris, Royal Opera House Covent Garden, Los Angeles Opera and the Houston Grand Opera.

In Australia the focus of her work during 2000–2003 was Opera Australia, where her opera and concert work with the Australian Opera and Ballet Orchestra and her development of musical standards in the company received praise from the profession and the public alike. During this time, productions she conducted included Die Meistersinger von Nürnberg, Otello, Eugene Onegin, Lulu, Lucia di Lammermoor, Tristan und Isolde, Tannhäuser, Falstaff, Don Carlos, Andrea Chenier, La Bohème, Don Giovanni and Le nozze di Figaro (from the fortepiano), Katya Kabanova, Un Ballo in Maschera, Der Rosenkavalier and Cavalleria Rusticana / Pagliacci.

Recent performances have included Macbeth, Falstaff, Salome, Daphne, Die Frau ohne Schatten, Don Giovanni, Das Rheingold, Arabella, Dialogues des Carmelites, L'Upupa und der Triumph der Sohnesliebe at the Hamburgische Staatsoper, and the Salzburg Festival with Klangform Wien.

In 2007 Simone was elected to the Akademie der Kuenste in Hamburg, was nominated as the Conductor of the Year by Opernwelt magazine and awarded a professorship at the Musikhochschule in Hamburg. Her awards include Green Room Awards for her 1996 performances of Die Frau ohne Schatten at the Melbourne Festival, 2001 performances of Tristan und Isolde and 2003 performances of Lulu, the 2005 Helpmann Award for Best Classical Concert with the West Australian Symphony Orchestra, the 2002 Helpmann Award for Best Musical Direction (Andrea Chenier) and the Australian Mo Award for ‘Classical Performer of the Year’. She has received honorary doctorates from Monash University and the University of New South Wales, and has been honoured with the Chevalier de l’Ordre des Arts et des Lettres from France. In 2004 she was appointed a Member of the Order of Australia in the Australia Day Honours List. In 2005 she received the prestigious Goethe Institute Medal.

As well as conducting operas in the Sydney, Melbourne and Brisbane festivals, Simone Young regularly returns to Australia to work with both the West Australian Symphony Orchestra and the Sydney Symphony.

Press quotes:

Elektra, Hamburg:

"Simone Young ... convinced at her Hamburg debut as a Strauss interpreter with her strength of guidance ... how sovereignly she handled the orchestra-apparatus of this opera, set accents, and coordinated the vocal and orchestral happenings. Especially remarkable is her precise and alive refined fantasy of the sounds."     
Die Welt (March 1996)
 
"The Hamburg debut was a sensation. Ms Young had the orchestra in her musical grasp through the whole evening. She created density of dramatic intensity, the diversity of the orchestra was made visible, the singers were led securely."     
Hamburger Abendblatt (March 1996)   

"One can only hope that the young conductor Simone Young will be seen more often because she had the precisely playing orchestra under control, and showed the gentlemen conductors which abundance of colours and emotions the Hamburger musicians are able to play."     

Tageszeitung (March 1996)

Aïda and Wagner excerpts - Sydney:

"Whether she was forcing the emotional pace or letting the ardour flow more broadly, everything was achieved with a calm deliberation and an utterly clear beat: there was never room for uncertainty in her direction. As she incontestably revealed in Aïda, she is a true accompanist, a truly supporting 'singers' conductor' who breathes the music with them but permits them no unwarranted indulgence. And so it proved thereafter - there was energy aplenty though the big moments were never crass and the myriad richness of the delicately coloured score was revealed with immense subtlety. The orchestra played with a rare unanimity virtually all night ... That pervasive nocturnal mood has stimulated me to think of Aïda as a companion piece to Tristan: indeed, the week's combination of Verdi and Wagner with some outstanding singing and the pivotal attainments of Simone Young has made it one to savour for my entire life.

Die Welt (March 1996)

La Bohème - Sydney:   

"The conductor was Simone Young, and no one could forget it. Her domination of stage and pit was total, and she showed acute responsiveness to the score in all its facets. There was nothing routine: the music lived and breathed anew. Exciting."     
The Sunday Telegraph (February 1995)

Rigoletto - Vienna:

"The second sensation was the woman in the pit: Simone Young is a 'maestra' who knows how to call forth the blood-curdling outbursts of Verdi's partitura as well as she knows how to carefully accompany the most subtle pianissimo."     
Die Presse (April 1995)

2010 Schedule

January 17, 20, 23, 27, 30. Hamburg State Opera, Germany. Donizetti: Lucia di Lammermoor.
February 2, 6. Hamburg State Opera, Germany. Donizetti: Lucia di Lammermoor.
February 7, 11, 14, 18. Hamburg State Opera, Germany. Giordano: Andrea Chenier.
February 16, 19, 25, 27. Hamburg State Opera, Germany. Puccini: La boheme.
March 7, 10, 14, 18, 23, 26. Hamburg State Opera, Germany. Schoenberg: Erwartung; Strasnoy: Le bal;  Rihm: Das Gehege.
March 21, 28, 31. Hamburg State Opera, Germany. Richard Strauss: Salome.
April 3, 7, 11, 14, 18. Hamburg State Opera, Germany. Richard Strauss: Elektra. Mussorgsky: Khovanshchina.
May 21, 27. Hamburg State Opera, Germany. Richard Strauss: Elektra.
June 8. Hamburg State Opera, Germany. Verdi: La traviata
June 29. Hamburg State Opera, Germany. Donizetti: Lucia di Lammermoor
June 30. Hamburg State Opera, Germany. Lehar: Die lustige Witwe.
July 1, 4, 7. Hamburg State Opera, Germany. Donizetti: Lucia di Lammermoor
July 2. Hamburg State Opera, Germany. Verdi: La traviata
July 3, 6, 9: Hamburg State Opera, Germany. Mascagni:  Cavalleria rusticana; Leoncavallo: Pagliacci.
July 8, 10. Hamburg State Opera, Germany. Lehar: Die lustige Witwe.
July 29, 30, 31, West Australian Symphony Orchestra, Perth Concert Hall, Australia. Barber: Adagio for Strings, Piano Concerto, Knussen: Ophelia Dances, Elgar: Enigma Variations
August 5, 6, 7, Sydney Symphony Orchestra, Sydney Opera House, Australia.Wagner: Prelude to Lohengrin, Szymanowsky: Violin Concerto No. 1, Bruckner: Symphony No. 7

Steve Davislim and Simone Young perform Foggy Foggy Dew:

Melba Recordings performances:
MR301108: Seduction: Songs by Richard Strauss
MR301120: Benjamin Britten Folksong Arrangements

 
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